Freitag, 17. April 2020

Of heroes & gods

The hot and courageous snorting fighter sounds of these deeply upright ones have developed into something very special until today. And not only the name of the band is an absolute program – even the foundation became a sworn ritual.
Since 2007, everything at EISENHAUER has been revolving around the timeless ideals, values and powers that have always been embodied by impressively booming electric guitars.
On the second album with the striking title „Blessed Be The Hunter“, the four men present themselves with mature material from the most interesting side of playing culture so far.

[ Artwork: Gabriel Turner Byrne ]
TRACKS:
01. Priestess Of Delight 05:25
02. Gods Of Pain 07:07
03. Release The Beast 5:58
04. Sun Under My Breast 01:06
05. Wild Boar Banner 04:52
06. Ghost Warrior 04:58
07. Ode To The Hammer 05:35
08. Mountain 05:04
09. Tyrannus 02:54
10. Cult 06:36
total: 49:10 min.
Their heroically charged to the point of bursting, doomy and typically Teutonic Heavy Rock with a continuous, catchy and melodic Metal edge captivates with the seal of approval ‚Real Handmade‘.
Everything is ceremonially crowned by Waxe’s exceptional masculine voice: a singer who is thoroughly inspired by his cause, who rides the high walls of sound and symbolically leads his companions through the deepest valleys.
Waxe always bows down before big, dark and soulful voices like Ronnie James Dio, Glenn Danzig, Eric Wagner, Jim Morrison and Johnny Cash.
Ase, who also put his heart and soul into „Blessed Be The Hunter“, brings in his resolutely commanding bass lines as energetically as if he had been born for it alone. His art on the thick strings lacks neither the necessary power nor dexterity.
And with the impressively effective Johann, EISENHAUER have a powerful heavy worker as hammering machine in the line-up, who, like a war drummer, leads all songs into the decisive battle.

[ Pic: Gabriel Turner Byrne ]
LINE-UP:
Christian ‚Waxe‘ Wagner • Vocals, Guitar
Simon Bihlmayer • Guitar
Thomas ‚Ase‘ Aschermann • Bass
Johann Bechteler • Drums
Influences from giants like Black Sabbath and Dio are unmistakable, and EISENHAUER add a pinch of Trouble, Samhain/Danzig and In Solitude in a well-dosed way. The quartet’s powerful overall sound is rounded off with partly massive nuances of Grand Magus and Manilla Road, which brings a delicious touch of obscure moods.
And the ten compositions on „Blessed Be The Hunter“ also provide heaps of pithy, roaring dynamics with deliberate cross-references to acts like Cro-Mags, Slayer and Sacred Reich.
In 2020, EISENHAUER will be united for timeless and unadulterated HEAVY METAL in its purest form, carrying the heroic sagas of a generation believed lost to the campfires of our time. Serious musicians are at work, who know exactly what they want to hear as fans – without looking at degraded images or wandering along worn out retro sound paths.
The at any time comprehensible and often catchy guitar work convinces basically by its emphatically massive appearance and well-considered structuring – but the axe duo Waxe and Simon also knows how to shine at times with wonderful, blissfully harmonious solos that you can’t get out of your head.
„Blessed be the hunter“ is the motto of this – not only musically – diverse album. Frontman and songwriter Waxe likes to share his exciting stories of the new release with the listeners:
„In ‚Sun Under My Breast‘ we sail through dark, demonic times, when it is better to have the sun under your chest. The hammers are proudly crossed in ‚Ode To The Hammer‘ and in ‚Tyrannus‘ we face the haughty tyrants with hope. In ‚Gods Of Pain‘ there are epics about the creation and destruction power of the gods; a warrior gets between the powers, a man who fights shoulder to shoulder with his sword brothers under the wild boar banner in ‚Wild Boar Banner‘ and defies the gods to please them. Our hero faces the wrath of the gods and is finally ambushed and killed by the traitor king. In ‚Priestess Of Delight‘, however, he is brought back to life by the priestess of joy and sent back from the realm of the dead to take revenge on the traitorous king. A ghost warrior who in ‚Ghostwarrior‘ marches forward unstoppably along skull-paved paths to answer the haunting call of his inner beast in ‚Release The Beast‘. Enter the temple of fiery blood, stone and steel with this hunter,“ demands Waxe, full of inner fire.
More: „Live and celebrate the cult in ‚Cult‘! Awaken your own God within you, touch the rainbow bridge, become indestructible and strong like a mountain in ‚Mountain‘. Blessed Be The Hunter – blessed be love, life, passion and death. Let the steel sing!“
Painter, graphic designer and photographer Gabriel Turner Byrne, who is also based in Kaufbeuren and hails from Tucson, Arizona, was inspired by this, which led to a truly outstanding, thematically representative front cover of the new longplayer „Blessed Be The Hunter“.
That Turner Byrne, according to his long-time friend Waxe, ‚lives what he paints‘ gets radiated in an inspiring way by the mystical motif. Eisenheads unite! (Markus Eck)
 EISENHAUER are available for interviews via phone, Skype & e-mail
EISENHAUER • Online:
       
E-MAIL:
ch.w.wagner@web.de
⚡📢
𝐸𝐼𝒮𝐸𝒩𝐻𝒜𝒰𝐸𝑅 • 𝙊𝙛𝙛𝙞𝙘𝙞𝙖𝙡 𝙋𝙧𝙤𝙢𝙤 & 𝙋𝙍 Action:
https://www.metalmessage.de/Promotion_EISENHAUER_en.php
⚡📢
MEDIA FEEDBACK:
►► Blessed Be The Hunter • Album ◄◄
tba
►► Horse Of Hell • EP ◄◄
5 / 5
„… ‚Horse Of Hell‘ … in short, the song really captured me … because besides the really well done instrumental parts, it’s especially this incredibly brilliant voice that Christian ‚Waxe‘ unpacks here … both in content and musically far ahead and the change more towards riffy rock is perfect … especially the vocals are the final touch and for an own production the whole thing is also very good.“
(Harte Musik DE)
4,5 / 5
„… in the end, everything feels like a mix between Swedish Mustasch and German Rammstein but still manages EISENHAUER to their advantage to have his own twist on it all …“
(Get Metal)
9 / 10
„… sometimes similar to the hazy Stoner Metal or Doom landscapes Black Sabbath or Candlemass would unleash … ‚Eisenhauer‘ is a perfect example with its smoke filled riffs of pure glory between bouts of Heavy Metal speed and a sixties Rock guitar solo with matching mono sounding cleaner distortion about four minutes in, signaling a change to subtle early Iron Maiden heights similar to ‚Hallowed Be Thy Name‘ in so many ways … one of the more vital releases to sneak through the underground for 2015.“
(Apochs)
4 / 5
„Energetically and powerfully (especially vocally) the silver disc ‚Horse Of Hell‘ turns its rounds in the player and apart from audible borrowings from Running Wild or Iron Maiden in the song ‚Never Surrender‘ EISENHAUER remain quite independent and musically consistent over the length of the EP.“
(Deep Ground)
85 / 100
(Underground Zine)
85 / 100
(X Reviews)
8 / 10
„What makes this album stand out are the vocals, as they contain some of the most interesting vocal combinations I have heard lately … they range from simple melodic singing to some full scale Heavy Metal singing … the guitars are compressed and really good to hear in the choruses … contains four songs with about 25 minutes of material, but even with this maybe short length of the album, it does not lack in quality in both songwriting and mixing departments.“
(Dutch Metal Maniac)
78 / 100
„EISENHAUER is an original band … I liked very much the blend of Heavy and Doom Metal they play … with influences from Southern, Speed and Thrash Metal … I also loved their calm atmospheres and their melodies … that’s why I think ‚Sail My Soul‘ and ‚Horse Of Hell‘ are two great songs … and also the other two are very good … ‚Horse Of Hell‘ is a very good EP … and I gave it 78, on a maximum of 80 for the release shorter than half an hour.“
(Heaven Of Heavy Metal)
7,5 / 10
„Great EP !“
(Metalhead IT)
7,5 / 10
„Meanwhile the steel beater’s disc accompanies me almost every time I drive … extremely thick reef work … fat and broad-legged … friends, that sounds so much like Grand Magus that I would put EISENHAUER right as the opening act of the next tour of the Swedes.“
(Metal Talks)
7,5 / 10
„‚Horse Of Hell‘ is an above average job …“
(Arte Metal)
7 / 10
„… teutonic steel á la Grand Magus … cool riffs, rhythmic vocals with melodic choruses … ‚Eisenhauer‘ is a band anthem that could not be more teutonic … simply fits and does not look fake …“
(Reaper Zine DE)
7 / 10
„The quartet from Kaufbeuren plays a proper riffing Metal, which lives from the beautiful singing of Christian Wagner … with his deep timbre he could not only start with Grand Magus tomorrow morning … a mixture of Grand Magus and Falconer … ‚Never Surrender‘ knows no stopping until the band anthem ‚Eisenhauer‘ is played … powerful and powerful, full of power the words ‚Eisenhauer, like my hammer, bang your eisenhead‘ sound and also the Iron Maiden influences look more than clearly around the corner … therefore EISENHAUER are a band you should definitely keep an eye on … ‚Heavy hammer strikes the steel‘.“
(Streetclip TV)
7 / 10
(Soil Chronicles)
7 / 10
„… makes me think of traditional Heavy Metal, maybe with a dash of New Wave of British Heavy Metal … a little bit of Saxon mixed with the slower Iron Maiden songs …“
(Metal Temple)
„… all have a slightly teutonic touch, which shines through after the opener ‚Sail My Soul‘ with its powerful stomping riffs and tempo changes … with an acoustic touch the noble sluggish, but also quite varied title track is rung in, before the rather straight ‚Never Surrender‘ is added … in battle-cry style, the hook-heavy setting of the band name puts an end to this appetizer …“
(Crossfire Metal)
„The guitar work on ‚Horse Of Hell‘ is second to none and it gives this band’s Heavy Metal/Thrash sound a sweet touch of Rock and Roll! With Christian ‚Waxe‘ Wagner’s voice serving as the cherry on the top of this metallic treat, EISENHAUER whips out four tracks of instantly enjoyable Metal that is all at once classic and modern in it’s approach … had I actually managed to compile a ‚Best Of‘ list for 2015 this EP would have made the cut as it’s the complete package: top notch songwriting and performances that is balanced out by a stellar production!“
(Heavy Metal Time Machine)
„Never underestimate simplicity. As UK bruisers Grifter so eloquently pointed out ‚the simplicity of the riff is key‘ and this is a lesson that German metal band EISENHAUER have taken to heart … simplicity is nothing to be scared of and, when coupled with a powerful sense of identity and a genuine enthusiasm for the genre, as exemplified here it can be a most potent weapon indeed … ‚Horse Of Hell‘ is a great EP with classically styled, Dio-aping artwork, hard hitting riffs, solid production and memorable riffs … this is definitely one for the denim ‘n’ leather brigade to savour and it certainly gave my neck a good workout!“
(Sonic Abuse)
„Regarding the style it took me back to my early days – the time when I started listening to Metal … yes, I grew up with Bon Jovi, Metallica, Accept and U.D.O. … and this EP sounds like that … for me all songs are aurally suitable … unleash the retro horse of hell!“
(Bad Black Unicorn)
„The guitarists Christian ‚Waxe‘ Wagner and Simon Bihlmayer enchant the listener already at the opening ‚Sail My Soul‘ with wonderful melodies … the same goes for the vocals of Waxe, who, just like the guitars, scores with unconventional melodies … tracks like ‚Horse Of Hell‘, ‚Eisenhauer‘ with a hammer solo or ‚Never Surrender‘, which is even quicker at the end, are perfectly arranged from the first bars to the last chord and played to the point … extremely strong … contains no bad song, is bursting with creativity and is very varied …“
(Franconia Metallum)
„Very well its sounds a bit of old school style and also a lil bit blended by the catchy Rock’n’Roll and thrashing melodies … nice guitar works especially the solo parts … Teutonic Thrash might be one of their influenced I guess.“
(Antonio Moliterni)
„… a very riff-oriented groovemonster with a full-time vocalist, who really stands out and gives this band a unique selling point … the sound is very traditional and you can hear a certain closeness to Grand Magus, and not only because of the singer! Since I am a very big fan of Grand Magus, it is obvious that EISENHAUER really blew me away … both thumbs up.“
(Swiss Attack)
„Mainly, solid Heavy Metal, based on Grand Magus’ legacy … give ‘em a listen and you won’t miss.“
(Metal Invader)
„With ‚Horse Of Hell‘ the Bavarian four piece EISENHAUER comes across gnarly, grumbling and thus setting himself a mark … three of four songs are catchy tunes that make the banger’s head move in raptures over and over again … teutonic Heavy Metal with a lot of potential.“
(Stahlseele)
„… after one listen I was hooked. The power they produce as well as the shear un- pretentiousness of their attack is a welcome change to mass of bands that are trying to use write riffs that are then compressed into a dizzying blur of four hundred notes in the span of four seconds … the great thing about EISENHAUER is the simplicity of everything they do … it’s a release that literally grabs the authentic roots of Heavy Metal and condenses its habitual fundamentals into an amazingly digestible and glorious effort … the quality of the music here is undeniable – this is heavy fucking Metal the way it was meant to be played. Highly recommended!“
(Absit Omen)
„EISENHAUER rides those songs in best tradition of Teutonic Metal along with NWOBHM which is quite significant to this record … I could put my opinion under heavy machine gun fire and defend it … believing this is really True Metal as sometimes people say about similar records … inheritance of German Metal is presented very strongly on the EP and such mix of influences slowly making a prince becomes a king.“
(Monarch Magazine)
„I can’t say enough how „Horse Of Hell“ satisfies those who are into traditional Heavy Metal, angling towards a future for the band in creating a legendary stamp of its own.“
(Vile Views)
„EISENHAUER is not a simple clone, but offer a compact and heavy Metal valuable, even for those who listened to Heavy Metal in many different ways.“
(Rock Garage IT)
etc.
Of Scottish iron
RUADH (which is pronounced ‚Roo-Ah‘ and translates to ‚red‘) is an Atmospheric Black Metal solo-project from Glasgow, Scotland.

[ Pic: Kim Copland ]
Drawing from the vast well of history, culture and mythology, musician and songwriter Tom Perrett set out to compose music purely to taste, creating an unmistakable atmosphere with the beating heart of old school Black Metal favourites of his, such as Windir, Bathory, Burzum and others, which should also appeal to fans of Saor, Winterfylleth, Panopticon and similar acts.
Tom was born and raised in one of the oldest Burghs in Scotland, which translates to ‚The red glen‘. The derivation of the name of the town is unclear but one theory is that the area was once a settlement of Reuther, an ancient king of the Scots, who ruled between 213 and 187 BC.

[ Artwork: Joan Llopis Doménech Illustrations ]
TRACKS:
01. Embers 10:01
02. The Rock Of The Clyde 10:20
03. Winters Light 09:01
04. Fields Of Heather 10:56
05. Only Distant Echoes Reign (Part 1) 04:44
06. Only Distant Echoes Reign (Part 2) 08:54
total: 53:55 min.

„The Rock Of The Clyde“
 is an evolution from RUADH’s debut album „Sovereign“. It has a much more melodic feel, yet has more visceral elements too. Containing six tracks of epic, Scottish Atmospheric Black Metal with Folk elements, it is massive in both scope and scale, taking you through the Iron Ages in Scotland.
It also explores the history and mythology of the people of Scotland, conveying both sorrow and uplifting, almost heroic tones.
•
LINE-UP:
Tom Perrett • All Instruments, Vocals
Cieti • Female Vocals
Kimberly Copland • Bass
Philip Morrison • Drums
•
DISCOGRAPHY:
2019 • Sovereign (Full-length)
2020 • The Rock Of The Clyde (Full-length)
•
RUADH • Online:
        
E-MAIL:
redglenproductions@outlook.com
•
RUADH is available for interviews via phone, Skype & e-mail

Dienstag, 11. Februar 2020


The term ‚catharsis‘ – Greek for ‚purification‘ – is known as the hypothesis that living out internal conflicts and buried (suppressed) emotions results in a reduction of these conflicts and feelings. Not by accident, ASPIDIUM has dedicated the instrumental of its debut album „Manifestum“ to this topic.

[ Pic: Kurt Jason Kelderer ]

LINE-UP:
Kurt Jason Kelderer • Vocals, Guitar
Thomas Altmann • Guitar
Susi Hartmann • Bass
Emil Herrmann • Drums

ASPIDIUM arose out of a solo project of Kurt ‚Jason‘ Kelderer beginning of 2017 in Abtsgmünd. Jason already has played bass guitar for many years in several bands, but in none of them, he was able to realize his personal ideas of music. Hence, at the beginning of 2017 he started to put his emotions into songs and to fulfill his musical visions, his manifest. The foundation of ASPIDIUM had been set.
At the beginning planed as mere solo project, ASPIDIUM evolved to a German/Italian band project with the entry of Benni Leiter from South Tyrol on the guitar.
Together the first CD „Manifestum“ was released in 2018. The recordings were made by Lukas Flarer at the Sound Control Studio in Meran, the cover artwork was taken over by Dani Hofer from South Tyrol.
In the course of 2019, the new songs for the second album „Harmagedon“ were created also as a solo project, which was recorded in proven cooperation with Lukas Flarer. For the cover artwork, Dani Hofer could be won again. The release of „Harmagedon“ is planned for April 18, 2020. Live on stage Kurt Jason Kelderer is supported by Susi Hartmann, Thomas Altmann and Emil Herrmann.

[ Cover art: DaNi Hofer • Archetype Design ]

TRACKS:
01. Harmagedon 03:55
02. Welt vorm Kollaps 04:31
03. Gleichschritt Marsch 04:51
04. Tödliche Begierde 04:53
05. Scheinwelt 05:03
06. Elegie 04:44
07. Falscher Prophet 04:02
08. Monochrom 03:56
total: 35:55 min.
•
„Why does a BLACK DEATH METAL band need to write necessarily its songs in English“, Jason asks into the scene. ASPIDIUM is unconventional and does not like to be put into a box. Rules, clichés and ready-made opinions are there to be broken, according to the bandleader.
Thus ASPIDIUM combines German lyrics with uncompromising Black Death without any blinders. Socially critical lyrics that put their finger on the weak spots of our time, without the stereotypical thinking attached to Black or Death Metal, characterizes ASPIDIUM.
•
DISCOGRAPHY:
2018 • Manifestum (Full-length)
2020 • Harmagedon (Full-length)
•
ASPIDIUM • Online:
         
info@aspidium.de
•
 ASPIDIUM are available for interviews via phone, Skype & e-mail
•

Freitag, 24. Januar 2020


„In Control“ is the title of the second album by the Dutch rockers HARDLAND. Even more than with the self-titled debut of 2017, the band has managed to create a completely different MELODIC ALTERNATIVE ROCK sound from very different influences.
This ranges from Heavy Rock, AOR over 80s-Wave to accessible (Power)Pop, with a special love for music from the 1970s and 1980s.
The very well done cover „Are Friends Electric“, which was a big hit for the British synthesizer formation Tubeway Army in 1979, further underlines this. „In Control“ otherwise only contains own compositions: hard Rock songs interspersed with a single ballad.

[ Pic: DCH Photography ]
LINE-UP:
Paul • Guitar, Vocals
Aeilko • Guitar, Vocals
Remi • Bass, Vocals
Marco • Keyboards
Eric • Drums
HARDLAND’s story is something special anyway. The band started as a project by the two singers and multi-instrumentalists Aeilko Venema and Paul Evers. The two musicians shared the same musical preferences, started working on songs together and finally felt the need to record them in a studio. In 2017, the first long player „Hardland“ was created, which was mainly recorded with friends of musicians.
Quality immediately had top priority: veteran Sean Magee took over the mastering at the legendary Abbey Road Studio in London. He worked with greats like Rush, Gary Moore and Deep Purple, but was booked by HARDLAND primarily for his collaboration with Pink Floyd, David Gilmour and The Beatles. Thanks to Magee’s contribution, the first CD immediately developed an international appeal.
On May 18, the current album successor „In Control“ was preceded by the single „The Nation’s Biggest Enemies“, which is also the opener of the album. The song was immediately positively received and supported by Rock Rage Radio, one of the largest Rock stations in America.

[ Cover art: Frans Mensink ]
TRACKS:
01. The Nation’s Biggest Enemies 03.27
02. Are Friends Electric 05.16
03. The Powers Within 05.15
04. Rise & Shine 03.15
05. Haunted 03.20
06. Dazzled By The Presence Of Love 03.45
07. Love, Love, Love 04.46
08. Pleasure & Pain 03.54
09. Still Dreaming 04.52
10. Last Goodbye 04.06
total: 41:58 min.
In the continuation of the musical history of HARDLAND, the best of the 1970s and 1980s is once again transformed into the present:
striking melodies, varied vocals, beautiful keyboard parts and tasteful guitar work.
DISCOGRAPHY:
2017 • Hardland (Full-length)
2019 • The Nation’s Biggest Enemies (EP)
2019 • In Control (Full-length)
And this time there is the whole thing from a real band, which has now optimally merged. Although the main tone of the music is once again determined by rock-solid, classic (Hard) Rock, HARDLAND deliberately deviates from it several times – for example with the cover „Are Friends Electric“. Or also with a song like „Love, Love, Love“, in which the fascinating spirit of the good old Beach Boys and their tears roams in the morning.
„Everything comes back in our sound universe“, says Aeilko. „We love giants like Led Zeppelin, Journey and Whitesnake. At the same time, we have a weakness for songs that were produced in the 80s by unforgettable acts such as Tears For Fears, Talk Talk and Tubeway Army. In the choirs of certain songs on the second album you can also hear that we really adore the polyphonic vocals in which the Eagles as well as Crosby, Stills, Nash and Young were so immensely good. Yes, the list of musicians and groups that inspired us is endless.“ (Markus Eck)
 HARDLAND are available for interviews via phone, Skype & e-mail
info@hardland.net

HARDLAND • Online:
        

MEDIA FEEDBACK:
8 / 10
„… good songwriting …“
(Metal Temple)
8 / 10
„… loads to like here …“
(Powerplay)
75 / 100
„… HARDLAND brings catchy music with which they will undoubtedly score live … due to the wide influences there is enough variety to fascinate.“
(Hellspawn)
74 / 100
„… positive feeling … the group knows how to fascinate … HARDLAND is an asset to the Dutch Melodic Rock.“
(Metalfan NL)
7 / 10
„… very solid album on which Melodic (Hard) Rock still predominates, but on which time and time also nice experiments are made with alternative influences … there are also a number of songs on ‚In Control‘ that will certainly appeal to traditional Rock fans.“
(Arrow Lords Of Metal)
„… HARDLAND has taken multiple musical risks on ‘In Control’, adding seventies synthesizers sounds into the mix together with more contemporary Rock … in a way musical daredevils … served with a twist and some spin … for the more adventurous type of rocker something to dive into!“
(HeadBangers LifeStyle)
etc.

About

Mein Bild
Munich, Germany
📢 𝗣𝗥 𝗔𝗴𝗲𝗻𝗰𝘆 • 𝐸𝓈𝓉. 2001 🎯 Consistent 5✭ rated 🌐 Worldwide reach: print, online, radio ⫸ Many years of extensive and in-depth experience in various musical fields form the basis for individual and efficient services ⫸ In addition to communications for global Public Relations, the main areas of activity are integrated Promotion Campaigns, as well as Marketing, Artist Management, Consulting & Mentoring

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