Freitag, 17. April 2020

Of Scottish iron
RUADH (which is pronounced ‚Roo-Ah‘ and translates to ‚red‘) is an Atmospheric Black Metal solo-project from Glasgow, Scotland.

[ Pic: Kim Copland ]
Drawing from the vast well of history, culture and mythology, musician and songwriter Tom Perrett set out to compose music purely to taste, creating an unmistakable atmosphere with the beating heart of old school Black Metal favourites of his, such as Windir, Bathory, Burzum and others, which should also appeal to fans of Saor, Winterfylleth, Panopticon and similar acts.
Tom was born and raised in one of the oldest Burghs in Scotland, which translates to ‚The red glen‘. The derivation of the name of the town is unclear but one theory is that the area was once a settlement of Reuther, an ancient king of the Scots, who ruled between 213 and 187 BC.

[ Artwork: Joan Llopis Doménech Illustrations ]
TRACKS:
01. Embers 10:01
02. The Rock Of The Clyde 10:20
03. Winters Light 09:01
04. Fields Of Heather 10:56
05. Only Distant Echoes Reign (Part 1) 04:44
06. Only Distant Echoes Reign (Part 2) 08:54
total: 53:55 min.

„The Rock Of The Clyde“
 is an evolution from RUADH’s debut album „Sovereign“. It has a much more melodic feel, yet has more visceral elements too. Containing six tracks of epic, Scottish Atmospheric Black Metal with Folk elements, it is massive in both scope and scale, taking you through the Iron Ages in Scotland.
It also explores the history and mythology of the people of Scotland, conveying both sorrow and uplifting, almost heroic tones.
LINE-UP:
Tom Perrett • All Instruments, Vocals
Cieti • Female Vocals
Kimberly Copland • Bass
Philip Morrison • Drums
DISCOGRAPHY:
2019 • Sovereign (Full-length)
2020 • The Rock Of The Clyde (Full-length)

RUADH • Online:
        
E-MAIL:
redglenproductions@outlook.com
RUADH is available for interviews via phone, Skype & e-mail

Dienstag, 11. Februar 2020


The term ‚catharsis‘ – Greek for ‚purification‘ – is known as the hypothesis that living out internal conflicts and buried (suppressed) emotions results in a reduction of these conflicts and feelings. Not by accident, ASPIDIUM has dedicated the instrumental of its debut album „Manifestum“ to this topic.

[ Pic: Kurt Jason Kelderer ]

LINE-UP:
Kurt Jason Kelderer • Vocals, Guitar
Thomas Altmann • Guitar
Susi Hartmann • Bass
Emil Herrmann • Drums

ASPIDIUM arose out of a solo project of Kurt ‚Jason‘ Kelderer beginning of 2017 in Abtsgmünd. Jason already has played bass guitar for many years in several bands, but in none of them, he was able to realize his personal ideas of music. Hence, at the beginning of 2017 he started to put his emotions into songs and to fulfill his musical visions, his manifest. The foundation of ASPIDIUM had been set.
At the beginning planed as mere solo project, ASPIDIUM evolved to a German/Italian band project with the entry of Benni Leiter from South Tyrol on the guitar.
Together the first CD „Manifestum“ was released in 2018. The recordings were made by Lukas Flarer at the Sound Control Studio in Meran, the cover artwork was taken over by Dani Hofer from South Tyrol.
In the course of 2019, the new songs for the second album „Harmagedon“ were created also as a solo project, which was recorded in proven cooperation with Lukas Flarer. For the cover artwork, Dani Hofer could be won again. The release of „Harmagedon“ is planned for April 18, 2020. Live on stage Kurt Jason Kelderer is supported by Susi Hartmann, Thomas Altmann and Emil Herrmann.

[ Cover art: DaNi Hofer • Archetype Design ]

TRACKS:
01. Harmagedon 03:55
02. Welt vorm Kollaps 04:31
03. Gleichschritt Marsch 04:51
04. Tödliche Begierde 04:53
05. Scheinwelt 05:03
06. Elegie 04:44
07. Falscher Prophet 04:02
08. Monochrom 03:56
total: 35:55 min.
„Why does a BLACK DEATH METAL band need to write necessarily its songs in English“, Jason asks into the scene. ASPIDIUM is unconventional and does not like to be put into a box. Rules, clichés and ready-made opinions are there to be broken, according to the bandleader.
Thus ASPIDIUM combines German lyrics with uncompromising Black Death without any blinders. Socially critical lyrics that put their finger on the weak spots of our time, without the stereotypical thinking attached to Black or Death Metal, characterizes ASPIDIUM.
DISCOGRAPHY:
2018 • Manifestum (Full-length)
2020 • Harmagedon (Full-length)
ASPIDIUM • Online:
         
info@aspidium.de
 ASPIDIUM are available for interviews via phone, Skype & e-mail

Freitag, 24. Januar 2020


„In Control“ is the title of the second album by the Dutch rockers HARDLAND. Even more than with the self-titled debut of 2017, the band has managed to create a completely different MELODIC ALTERNATIVE ROCK sound from very different influences.
This ranges from Heavy Rock, AOR over 80s-Wave to accessible (Power)Pop, with a special love for music from the 1970s and 1980s.
The very well done cover „Are Friends Electric“, which was a big hit for the British synthesizer formation Tubeway Army in 1979, further underlines this. „In Control“ otherwise only contains own compositions: hard Rock songs interspersed with a single ballad.

[ Pic: DCH Photography ]
LINE-UP:
Paul • Guitar, Vocals
Aeilko • Guitar, Vocals
Remi • Bass, Vocals
Marco • Keyboards
Eric • Drums
HARDLAND’s story is something special anyway. The band started as a project by the two singers and multi-instrumentalists Aeilko Venema and Paul Evers. The two musicians shared the same musical preferences, started working on songs together and finally felt the need to record them in a studio. In 2017, the first long player „Hardland“ was created, which was mainly recorded with friends of musicians.
Quality immediately had top priority: veteran Sean Magee took over the mastering at the legendary Abbey Road Studio in London. He worked with greats like Rush, Gary Moore and Deep Purple, but was booked by HARDLAND primarily for his collaboration with Pink Floyd, David Gilmour and The Beatles. Thanks to Magee’s contribution, the first CD immediately developed an international appeal.
On May 18, the current album successor „In Control“ was preceded by the single „The Nation’s Biggest Enemies“, which is also the opener of the album. The song was immediately positively received and supported by Rock Rage Radio, one of the largest Rock stations in America.

[ Cover art: Frans Mensink ]
TRACKS:
01. The Nation’s Biggest Enemies 03.27
02. Are Friends Electric 05.16
03. The Powers Within 05.15
04. Rise & Shine 03.15
05. Haunted 03.20
06. Dazzled By The Presence Of Love 03.45
07. Love, Love, Love 04.46
08. Pleasure & Pain 03.54
09. Still Dreaming 04.52
10. Last Goodbye 04.06
total: 41:58 min.
In the continuation of the musical history of HARDLAND, the best of the 1970s and 1980s is once again transformed into the present:
striking melodies, varied vocals, beautiful keyboard parts and tasteful guitar work.
DISCOGRAPHY:
2017 • Hardland (Full-length)
2019 • The Nation’s Biggest Enemies (EP)
2019 • In Control (Full-length)
And this time there is the whole thing from a real band, which has now optimally merged. Although the main tone of the music is once again determined by rock-solid, classic (Hard) Rock, HARDLAND deliberately deviates from it several times – for example with the cover „Are Friends Electric“. Or also with a song like „Love, Love, Love“, in which the fascinating spirit of the good old Beach Boys and their tears roams in the morning.
„Everything comes back in our sound universe“, says Aeilko. „We love giants like Led Zeppelin, Journey and Whitesnake. At the same time, we have a weakness for songs that were produced in the 80s by unforgettable acts such as Tears For Fears, Talk Talk and Tubeway Army. In the choirs of certain songs on the second album you can also hear that we really adore the polyphonic vocals in which the Eagles as well as Crosby, Stills, Nash and Young were so immensely good. Yes, the list of musicians and groups that inspired us is endless.“ (Markus Eck)
 HARDLAND are available for interviews via phone, Skype & e-mail
info@hardland.net

HARDLAND • Online:
        

MEDIA FEEDBACK:
8 / 10
„… good songwriting …“
(Metal Temple)
8 / 10
„… loads to like here …“
(Powerplay)
75 / 100
„… HARDLAND brings catchy music with which they will undoubtedly score live … due to the wide influences there is enough variety to fascinate.“
(Hellspawn)
74 / 100
„… positive feeling … the group knows how to fascinate … HARDLAND is an asset to the Dutch Melodic Rock.“
(Metalfan NL)
7 / 10
„… very solid album on which Melodic (Hard) Rock still predominates, but on which time and time also nice experiments are made with alternative influences … there are also a number of songs on ‚In Control‘ that will certainly appeal to traditional Rock fans.“
(Arrow Lords Of Metal)
„… HARDLAND has taken multiple musical risks on ‘In Control’, adding seventies synthesizers sounds into the mix together with more contemporary Rock … in a way musical daredevils … served with a twist and some spin … for the more adventurous type of rocker something to dive into!“
(HeadBangers LifeStyle)
etc.


Straight from within


When the fellows launched HANGATYR in spring 2006, the stylistic direction of the idealists from Saxony and Central Thuringia was immediately clear:
cold, Nordic guitar riffs, paired with typical Thuringian melodies and German lyrics, inspired by the mythology that lives deep inside the creators, should shape the music.
The inspiring band name pays tribute to Odin, the father of the gods – ‚Hangatyr‘ is its epithet in the rune’s song. He sacrificed himself and hung on the world ash Yggdrasil for nine days to learn the runes. HANGATYR see the meaning behind this in that you have to give something to gain knowledge and wisdom.

[ Pic: Ute Ruhmann ]
LINE-UP:
Silvio • Vocals
Ali • Guitar
Basti • Guitar
Micha • Drums
By autumn 2007, the musicians had been working on the songs for the very first self-titled demo CD, which was produced with complete self-energy. A start was made, a brand was set.
Before the recordings for the debut album „Helwege“ could begin, the drum stool had to be occupied in the truest sense of the word. With Michael, a dedicated drummer could be found quickly, who was ready to record in the studio after a short period of familiarization. At the end of February 2010 the time had come: the outstanding „Helwege“ could be released.
In the following time, various guest performances were celebrated on suitable stages and further ideas for new songs were collected. HANGATYR set out well prepared in April 2012 to record the album successor „Elements“. In February 2013, the last fragments were put together. Alexander Dietz, known from Heaven Shall Burn, mastered the material in his Chemical Burn Studios. In early 2014 the disc was thrown into the scene.
HANGATYR, motivated even more by increasing encouragement and recognition in the genre, continued to pursue their very own vision of violently-biting but firm Black Metal with a clear focus.
The common path separated in 2017 when founding member Tele and long-time companion Marco left the group. In the same year Basti offered to get on the guitar, which turned out to be a real stroke of luck. His dedication and the experience he brought with him gave HANGATYR a different soundscape.

[ Cover art: Ute Ruhmann ]
TRACKS:
01. Niedergang 06:20
02. Entferntes Ich 06:35
03. Firnheim 07:22
04. Blick aus Eis 04:24
05. Kalter Grund 06:19
06. …kalt 02:05
07. Mittwinter 07:52
08. Verweht 07:05
total: 48:13 min.
In October 2019, the route once again led to Chemical Burn Studios in Bad Kösen. Together with Alexander Dietz, the new compositions were refined, which can now be heard on „kalt“:
relentlessly hard-hitting, uncompromising BLACK METAL anthems, from which the eternal spirit of the old and the true proudly emerges.
For example, it is lasting impressive and close to nature to experience how fatal the fervent outbreak „Cold Ground“ penetrates under the skin. Because also in terms of lyrics, those involved in the publication stand together for timeless depth – in this sense, a captivating concept was developed for „kalt“. In principle, the album is all about the oppressive cold that arises when you have to suffer painful loss.
Official Preview for „kalt“:
With „kalt“HANGATYR offer substantial Black Metal. Songs of pure power, inspired by darkness and spirituality, which rise so imposingly that often a real feeling of triumph arises, which in the end wants to despair of icy loneliness. (Markus Eck)
DISCOGRAPHY:
2010 • Helwege (Full-length)
2014 • Elemente (Full-length)
2020 • kalt (Full-length)
 HANGATYR are available for interviews via phone, Skype & e-mail
( ali.knorr@web.de )
HANGATYR • Online:
       

About

Mein Bild
Munich, Germany
📢 𝗣𝗥 𝗔𝗴𝗲𝗻𝗰𝘆 • 𝐸𝓈𝓉. 2001 🎯 Consistent 5✭ rated 🌐 Worldwide reach: print, online, radio ⫸ Many years of extensive and in-depth experience in various musical fields form the basis for individual and efficient services ⫸ In addition to communications for global Public Relations, the main areas of activity are integrated Promotion Campaigns, as well as Marketing, Artist Management, Consulting & Mentoring

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